Montana CINE International Film Festival in Missoula, Montana

If you will be in the Missoula, Montana are at the beginning of October and you are interested in issues that impact cultural preservation, nature, and the environment, then you may want to visit the 3rd Annual Montana CINE International Film Festival. This festival will be held on October 5, 6, 7, and 8, 2006, and it is hosted by the International Wildlife Media Center, the same people who put on the International Wildlife Film Festival. For more information on attending please keep reading.

What This Festival Is About

The 3rd Annual Montana CINE International Film Festival is a film festival that explores the cultural issues that impact nature and the environment. Issues like culture, conservation, politics, agriculture, urban sprawl, society, industry, and war will be discussed in regards to their impacts on the natural world. Activities will center on the festival’s mission of understanding these issues better as they relate to the health of the world’s ecosystems.

Events

Like the International Wildlife Film Festival, the Montana CINE International Film Festival will offer several venues of interest for both filmmakers and the public. Public screenings, discussions, workshops, outings, and parties will be scheduled for the festival’s attendees. Schedules for these events, as well as activity descriptions will be made available in mid-September.

The public screenings of the winning films entered in the CINE film festival will be shown at the Historic Roxy Theater. This theatre is located at 718 S. Higgins, Missoula, Montana. A list of times, film titles, and film descriptions will be available at http://www.wildlifefilms.org by mid-September.

Discussion and workshops will also be offered to festival attendees. These programs will focus on specific topics, and they will be moderated by an industry professional. Information about the discussions and workshops can also be found online at http://www.wildlifefilms.org, as information becomes available.

Parties and activities are also a highlight of this festival. These parties will be held at various locations around Missoula, and each will have its own unique theme, attractions, and activities. The festival’s parties are great for meeting with the filmmakers, meeting people who have an interest in environmental issues, and just experiencing western hospitality. Tickets for the parties can be bought at the Roxy Theater, or by contacting the CINE Festival coordinator.

Attending the CINE Film Festival

The price for attending the events held during the CINE Film Festival will vary depending on the type of ticket you buy, your age, and the event you want to attend. General Admittance tickets for viewing a screening will be $6 for adults, $5 for students with a valid student ID, $5 for seniors 65 and older, and $3 for children under the age of 12. If you would like to buy a day pass, which is good for attending all the workshops, discussions, parties, and screenings for a specific day, then the price will be $15. If you would like to just see the screenings during the festival you can purchase a screening pass for $25, which allow you to see as many screenings as you want during the festival. If you want access to everything during the festival then you can purchase a festival pass for $50. Finally if you want to buy a ticket to a specific event or party you will need to contact the Festival directly for prices.

Contact Information

If you have more questions, or if you would like to buy your tickets before the festival please contact the CINE Festival at:

Montana CINE International Film Festival
718 S. Higgins Ave.
Missoula, Montana 59801
(406) 728-9380 phone number
(406) 728-2881 fax number
iwff@wildlifefilms.org
http://www.wildlifefilms.org

Creative Garden Art: From Trinkets to Treasures

Did you know that you can give new life to nearly any old object? Not only can these ‘recycled items’ add unique charm to your home, but they also be incorporated into the garden. With just a little bit of imagination and a lot of creativity, an ordinary garden can be given the ultimate makeover—one full of character and history. Objects for this task can be found just about anywhere. You can even make use of your own personal possessions that you may have found difficult to part with in the past.
In the garden there is a place for everything, especially containers. Some of the most commonly reused objects that can easily be transformed into interesting containers include plastic jugs, old pots and pans, baskets, and tires. You can also use an old wash tub, sink, or wheelbarrow. For a more personal touch, consider recycling a pair of outgrown boots that were once yours or perhaps belonged to your children. As long as your object allows for drainage, nearly anything goes. For items without drainage holes, simply poke a few in the side or bottom with a drill or other suitable instrument. Don’t get rid of those aged flowerpots; give them a face lift instead by adding some paint or mosaic tiles. 

Plastic soda bottles can turn into unique ‘piggy’ planters. Simply cut a section out of the side to hold a small pot. On the other side, add some feet; this will also give the planter support. Typically, I use an egg carton for this; you may use whatever is on hand. Choose your favorite color and paint the bottle. Add some eyes and ears; the nose comes from the bottle’s lid. Now place a flowerpot into your ‘piggy’ planter and set it in a location of your choosing.

What is a garden without interesting focal points? Large objects make great eyepieces. Wheelbarrows, tubs, old mowers, and statues are some good choices. Fountains and other water features can easily be made from old objects that have just been lying around. Use pieces of pipe, old sinks and tubs, or different sized pots and pans. Welcome birds into the garden with creative sanctuaries. Turn an old mailbox into a festive bird retreat or feeder. Transform dishes into splashing bird baths. Worn-out tools and other similar items can quickly become treasured garden pets. For instance, post-hole diggers can be changed into magnificent alligators. Flowerpots can magically be transformed into cute puppy dogs. Turn saw blades into artificial flowers with some paint; attach to stems made from pipes or broken tool handles. Maybe you would prefer to create sundials from the blades. It’s totally up to you.

Everyone enjoys the whimsical sounds of wind chimes, and these can easily be made from various scrap metal parts. Wind sounders can also be created from strips of metal and twisted into shape. If you have an excessive supply of glass canning jars, drop some tea light candles into them and line walkways or even a deck to add subtle light for get-togethers. Old coffee, soup, or paint cans may be used as well. Simply punch decorative designs into them, add some paint, place a candle inside, and enjoy. Stones and weathered stumps or logs even have potential in the garden. When uniquely placed, these objects can provide additional interest throughout the garden area. Do you like collecting things? Integrate them into the garden. For instance, a collection of bottles or sea shells can be utilized as edging for beds. Ladders, gates, or bed frames can make an attractive trellis for your plants. Dishes can be used in place of mosaic tiles for decorating a variety of objects.

No matter your level of artistic ability or skill, art is art. With any type of art, there is no right or wrong. Objects of all sorts can hold hidden potential. Whatever you see in an object, you can do. All you need is some creativity; as imaginations are never-ending, so are the possibilities.

The Creation of Art is Subjective

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The Creation of Art: A Review

The Creation of Art: New Essays in Philosophical Aesthetics edited by Berys Gaut and Paisley Livingston is a great book. As a person who loves art, I was excited to read a book dealing with art from a philosophical perspective. I was particularity impressed with the essays talking about genius and creativity. Therefore, these essays will be the focus of my review.

According to Guyer, genius is a gift for invention. This gift leads to originality in representation (Guyer116). He also claims that what the genius does is that he uses art to represent the freshness of nature (Guyer122). By stating this, I believe that he wishes us to see that when the genius uses nature as his canvas he wants whatever he paints or sculpts to be as fresh as the outdoors themselves.

I agree with Guyer's definition of genius. A genius doesn't just make a copy of what he sees in nature. Anyone with a small amount of artistic talent could do that. A genius seems to be able to take what he sees and shape it in such a way as to make it his or her own. For example, an artistic genius might paint a rose blue instead of red or pink. A statue may be sculpted out of gingerbread cookies instead of clay. A poem can describe the sunset as ‘rainbow sherbet melting in the sky'. Artistic genius seems to spark imagination. I also enjoyed the way he described Kant's view of what a successful work of art entails. A piece of artwork qualifies as a success when it brings human beings pleasure because its form and content starts a free play with our imagination and understanding (Guyer 127). This makes sense because some of the poetry that I write is inspired by what Kant calls ‘successful artwork'. For example, the first time I saw Van Gough's "Starry Night", I wrote a poem entitled "Imagine the Night Sky."

I also like the fact that Cohen states that human beings who appreciate fine art must posses a bit a genius (Cohen 145). This is because it seems that we are geniuses when we can appreciate Shakespeare or Van Gough. It seems that being a genius isn't ass hard as first appears. It seems that all it takes to be a genius is the ability to change the ordinary or the ability to appreciate the extraordinary. However, it is unclear what it takes to be an appreciator of fine art or to have something labeled an appreciator of fine art. It is also unclear how much an artist must change something to be called a genius. Therefore, being labeled a genius isn't a clear cut decision. In other words, many factors may play a part in being labeled a genius.

Olsen does good job talking about creativity. I like the way that he uses Shakespeare to describe what poets do. Shakespeare claims that a poet's pen "gives to an airy nothing a place and a name" (Olsen 192). This description reminds me of Plato. According to Plato, the Muses are vital to poets: "If anyone comes to the gates of poetry and expects to become an adequate poet by acquiring expert knowledge of the subject without the Muses' madness, he will fail" (Phdr 245a). The Muses seem to help the poet's pen give life to nothing.

The discussion of the creative personality is provocative. Creative people may have non-conventional thoughts. This may be due to a need to resist being mainstreamed on society. A creative person wishes to give into his or her own unique nature (Olsen 196). I think that a creative person can have a unique nature and still create a painting, poem, or short story using a very structured regimen. In other words, creativity doesn't have to give way to convention and structure. One thing that a creative person might create is a fictional character. However, many philosophers have argued that fictional characters can't be created. I don't agree with the idea that fictional characters have no reality at all. It makes more sense to believe that fictional characters come into being only because of the mental and physical acts of an author. Because of this, fictional characters have become part of most cultures.

While most of this book was informative and interesting, one essay that I read was boring. The essay deals with the origins of creativity. The explanations of the origins of creativity are cognitive, biological, and social. The argument seems to be that creativity comes from all three sources. This comes as no surprise to me. In addition, the biological portion of the essay was a bit confusing.

This book is worth reading because it stimulates and educates readers. Also, it has put art in a new perspective for me. For the most part, people will not need a background in art to understand and enjoy this book; therefore, I recommend this book.


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